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Death to the Pixies – Is Indie Cindy really that bad?

IndieCindyWhen the Pixies reformed for some shows a decade ago – I know – nobody really minded. There was the some small talk of legacies being pissed on, as if some live shows you could choose not to go to would somehow supersede a career that is to alternative rock what Elvis was to everything else. But in the main, people thought they deserved to top up their pension funds. Intermittent blasts round the festival scene since have also been looked on kindly. After all, they could still actually do the songs justice, and what songs they are. Overall, everybody was happy enough to sort of have Pixies around as an entity.

But with fans still digesting the news that Kim Deal had left the band there came the announcement of new recordings. The departure of Deal raised issues of whether it was valid to call this project ‘Pixies’ when it could be argued that it was now 75% Pixies. When faced with the threat of actual new music, those critics recoiled in horror. This was not the Pixies and they weren’t going to like it, come what may. The band released what would become Indie Cindy in three installments; critics predictably filleted them. But how much of it was to do with the music? Look at Pitchfork; they slaughtered two of the EPs, declined to review the third and then – in place of a review of this album – announced they would instead be reviewing the band’s back catalogue.

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